But what happens next? How to evolve? How to surpass yourself when the industry regards you as the chosen one? How to age in a youth music when your first opus is your supreme work? One thing is clear: a new generation of Australian artists is appropriating rap in their own way, injecting a great dose of African music and deep sounds. But since its emergence in the late s, local rap has always stood out from its American big brother. Often brilliantly.
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Down for Life explicit version D4L. Copy the following link to share it Copy. You are currently listening to samples. Bankhead explicit album version. What Can U Do explicit album version. Stuntman explicit album version. Do It Like Me Baby explicit album version. Front Street explicit album version. Scotty explicit album version. I'm Da Man explicit album version.
Diggin' Me explicit album version. Get Real Low explicit album version. Make It Rain feat. Shittin' Me explicit album version. Down For Life is an album that should've never seen the light of day. I can't believe that these are grown ass men putting out 'music' like this. Like I said before, it's acts like D4L that get southern rappers stuck with the 'southern rappers can't rhyme' label.
Subtract 'Laffy Taffy,' one of several outrageously sleazy dance-rap singles that inspired revelry as often as contempt during the early s -- depending on listeners' tolerance for cleverly produced tracks with sharp hooks and crude sexual euphemisms -- and D4L's Down for Life wouldn't be much of a story. A similar production sensibility holds throughout the remainder of this Atlanta group's Atlantic-distributed debut. Apart from a couple clever tracks where the MCing is of little consequence generic rhymes about making money, busting caps, and busting other things , a lasting impression is not made.
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